Saturday, October 17, 2015

Weekly Obsessions


The awesome Kelly at KellyVision started posting a weekly post highlighting whatever she happened to be obsessed with that week. I LOVE this idea, so much in fact that I will be doing it myself every Saturday.

BOOK

Cover of Traitor Angels by Anne Blankman (goodreads)


This cover is stunning. I love everything about it. Anne's previous books were amazing and I cannot wait to devour this one. I think it's going to be incredible.

Cover for The Crown's Game by Evelyn Skye (goodreads)


This cover is striking. It immediately catches your eye. The city in the shape of a crown, on the water and a girl running towards it like she's skimming the top of the water. This one has been on my radar since I first heard about it and the cover has only increased my anticipation.

Tile reveal for the A Court Of Thorns and Roses sequel

Bloomsbury released the title to the sequel for Sarah J Maas' A Court Of Thorns And Roses. I LOVED her twist on the Beauty and the Beast tale, and cannot wait to see where the sequel takes the story. The title has left me VERY excited for a cover reveal, and more details about the story itself.


A Court Of Mist And Fury will hit shelves May 2016! I'll be counting down the days!

TV/MOVIE

Goosebumps

I took my niece to see the Goosebumps movie as she is a huge fan of the books. I loved the books and TV series when I was a kid and am delighted that she's so into them (and reading in general). The movie is pure nostalgia for older fans of the series, and the new fans will love it too. It's funny, offers up some 'safe scares' and puts a great twist on the stories fans love. Go see it if you're a Goosebumps fan, and go see it even if you aren't because it's a really fun family movie (for kids who are okay with a few light scares)

What are you obsessed with this week?

Friday, October 16, 2015

American Horror Story: Hotel - Chutes and Ladders



These long episodes are ensuring my recaps are insanely long. #SorryNotSorry but starting this off with a reminder that....There will be spoilers, so read at your own risk.

We start the episode with a few answers to some of my questions from last week. We now know what happened to Max Greenfield (who is apparently called Gabriel) and we also know who is sewing people into mattresses - Sally! Gabriel may have cheated death but Sally will not let that stand. She's sewing him into a mattress and his future is basically that of the poor guy who traumatized the Swedish tourists. Sally tells him it is all his fault for thinking he could cheat death as she starts to sew.

She's interrupted by the Swedish tourist who is still alive (for now) screaming.  Sally is pissed and goes to investigate. At this point I am yelling "RUN BLONDE MAX GREENFIELD, RUN" at my TV. Sally is pissed and snaps at Iris to shut up the screaming woman while snarkingly asking 'did you forget a cop is staying here?' which is my favourite line. The child 'vampires' are feasting, with one of them declaring that the Swedish tourist 'tastes gross'. That's because she's dead. Elizabeth Taylor tosses the body down a very convenient chute (first nod to the episode title). We also find out that the poor guy in the mattress from the last episode ended up in the basement as well.

After feeding the child 'vamps' are being drained of their blood. Are they a filtering system for Countess and Donovan? The 'vamp' children's blood is being decanted for them and when Iris delivers it she asks the Countess to see Donovan but Donovan doesn't want to see her. He quips that he became a junkie to escape from his mother and that Countess has ensured that he never can. So, wait. Does his mean Murder House rules apply for the hotel? You die inside it and you never leave?! Interesting.

Countess wants to go to an art opening but Donovan just wants to Netflix and chill. Countess is all about the hunt though (she's insatiable) and goes without him. She looks sad and wistful about it though, as if Donovan has disappointed her and the look on her face feels an awful lot like a more permanent goodbye than any of the words used.

A dreamy, hallucinatory sequence shows that John is having a very bad time sleeping in room 64. This room is the actual worst. Some of these scenes are fantastic though as the pacing, and camera work make them very unsettling. Especially effective is John creeping up to the closed shower curtain. It's a heart pounding in time with the pulsing background kind of moment and it really works. He wakes gasping in bed and goes to investigate a noise. Of course he sees Holden again and it results in a chase through the hotel with Holden giggling as John desperately calls his son's name. He looses him only to wind up at the bar with Elizabeth Taylor and Sally. Sally tells him that 'weird things go down, especially at night'. Which, no kidding. We also find out that John is a recovering alcoholic. Everyone in this hotel has an addiction of sorts it appears (some more obvious than others). Sally compares getting high, at least at first, to heaven. Getting close to this blinding light. As time went on it became harder and harder to get to that light. She got lost along the way as she tried to climb higher and higher on this endless ladder (title reference number two). She encourages John to 'climb that ladder' as she senses he wants to get lost too and prompts him to tell her about the last day he drank.

In what may be sad foreshadowing John shares the story of a father who accidentally kills his children with carbon monoxide poisoning and as a result kills himself. Will this be John's fate? His son, daughter, and wife killed (or vampires) and it pushes him over the edge? It feels a little like he's headed down that path. That night sent John on a two day bender, and he offered up the carnival trip as a desperate gesture to make amends (and ended with him losing Holden) which we know made things worse. Hence the no drinking. John's story is incredibly heartbreaking.

Back at the police station, John is informed that this killer is tech savvy as he is capable of sending texts that appear to be from other phones (and he immediately clues in that the original text sending him to the crime scene in the last episode was most likely not sent from his wife, but the killer). John is informed he has a package waiting for him and smartly calls in the bomb squad who determines it is not a bomb, but rather a murder weapon. It's an Oscar covered in blood (probably used on one of the previous victims).

Will Drake is holding a fashion show within the hotel, which is a perfect backdrop for it. John goes to meet his daughter, who has a police escort, in the lobby. She is impressed by the hotel, and even more impressed by the fact that there is a party. Will invites John and his daughter, telling John that Scarlet can play with his son. Hold up a second though. Why does Will know Scarlet's name? John never mentioned it (I have rewatched this scene to make sure) so is there something more going on with Will? Am I reading too much into this? Guess we'll find out.

Sally is pissed (a common state of being for her, which fair. I would be too if I was tossed out a building window) that she is not on the guest list for Will's fancy fashion party. She does live there, as she reminds them.

The lights go out and the Countess and Donovan make quite the entrance looking stunning. Donovan points out John, telling her that he's the cop who checked into room 64. Countess comments that he is very handsome, prompting Donovan to reply with this amazing line


I will admit the guys on the show all share a certain look. I wonder if this is meant to be significant and if it was done deliberately. This quote certainly makes it appear so. We will see if it ties into the overall story in any real way, but I am betting it does.

Helllllo Tristan. Nice to meet you. Where you been? His entrance is certainly splashy. Tristan shares the addiction of many at Hotel Cortez and is the bad boy of modelling. He takes drinks from people's hands, attempts to make out with most of the audience (I volunteer as tribute) and genuinely doesn't give any fucks. He makes eye contact with Countess and there is this zap of energy. Both are instantly enthralled with the other (which fair, because Finn Wittrock). Side note that has nothing to do with anything - so happy Finn Wittrock is back. Countess is mesmerized, which prompts Donovan to call her out on it. She replies that Tristan smells like rage, like copper. Yes, Tristan is a very angry person. He also happens to be done with modelling and, as a way to get out of it, slashes his own face with scissors (NOT THE BEAUTIFUL FACE).

Scarlet and Lachlan decide to sneak off during Tristan's spectacle as Lachlan wants to show her something that she has to keep secret. No surprise it's the 'vampire' children in their coffins. Lachlan tells her that nothing wakes them up, only to be proven wrong when he knocks on the lid and Holden opens his eyes. Hmm... I wonder if he is sensing that his sister is there?

For some reason, instead of talking to her brother, Scarlet goes back home? Unsure, but we next see her watching videos of her brother and herself when they were babies in her room.

Tristan is on a rampage. Breaking open doors, tossing stuff around, all to find some more drugs. He starts to go through Countess' things and is interrupted by Donovan who tells him to stop before Donovan makes him stop. Tristan, proving again that he gives zero fucks, tells him to go ahead and call the cops. Donovan has zero patience for Tristan or his tantrums and goes to kill Tristan by choking him (after tasting his blood, of course). Tristan is saved by Countess who cannot hide her crush at all.

Tristan runs out and decides to eat someone's room service that is left in the hall (which, rude) but discovers his sandwich is actually full of maggots. He enters another room and begins to explore, only to be interrupted by Evan Peters who looks like he's stepped out of a black and white movie. He informs Tristan that they are the same deep down in their black hearts, and that he can show Tristan what he has been missing. He calls for someone and it's the maid who has been cleaning up all the blood in Hotel Cortez with a girl who has been tied up. This prompts Tristan to inform them that 'bondage really bores me' before Evan Peters lets him in on the truth. He wants Tristan to KILL the girl. Tells him that it is exhilarating. Tristan doesn't want to do it, so Evan Peters does (to which the maid says 'What a glorious stain') and Tristan runs out of the room and right into Countess.

Meanwhile, John's daughter is taking the bus from their home in the suburbs to the hotel, as her reminiscing has obviously made her want to go find her brother (FINALLY). She finds her way into the room where the vampire children spend their time and Holden is there. He knows who she is, and asks her what took her so long. It's heartbreaking as Holden recognizes that there is a difference in Scarlet that isn't in him. Scarlet wants to take Holden back to their parents but Holden is not having it. He likes it at Hotel Cortez. Scarlet wants a selfie with him at least, but when she gets close Holden tries to bite her as she snaps the picture. She runs and bumps into Sally who has serious dental issues as all her teeth start to rot and fall out (traumatizing Scarlet for life).

Scarlet takes the bus back to her house, to discover her parents are worried as she has been gone 5 hours. She tells that she shook her police escort because she wanted to make sure it was Holden and wanted to surprise them with him. This is where I get a little annoyed. John, your daughter tells you she saw her brother. The same kid YOU saw at the hotel. Instead of believing her and supporting her, YOU YELL AT HER? Not okay. Maybe some of this is his own issues coming out, but still. YOU SAW HIM, JOHN. She is all 'I am not a lying liar. I have a picture' but all that is there is Scarlet with a blurry person beside her. John's wife does let it slip that she blames John for what happened to Holden though. Yeah, this marriage is done.

Tristan is admiring himself in the mirror, and it appears he's been 'infected' by Countess as he is quite happy that the effects of his drug use are gone, and that he is so hot that it prompts him to say that 'I'd do me' as he gazes at his own reflection. Countess admits that their 'condition' means they never age and have a super charged immune system. It also prompts this AMAZING exchange...


She tells him that he's only immortal if he's smart. They begin to have some hot sexytimes as Countess fills Tristan in on the rules of their 'vampirism'

1- No fangs. They prefer to cut instead.
2- Never drink from the dead, the diseased or polluted. So basically fresh, clean blood only.
3- No coffins. Blackout curtains work fine as the sun doesn't kill them, it just weakens them.

Countess tells him that he reminds her of someone almost wistfully. She's obviously lost in a memory but all Tristan cares about is killing Kendall Jenner as she blew him off once at Coachella. Tristan is so current, so NOW, that when compared to Donovan (who is so grunge 90's Kurt Cobain when Countess meets him) he is exciting and new. Countess trades them in so that she always feel the same age is my guess. It's an interesting dynamic and one that I hope might be explored. I think this is the Countess' addiction. She is always looking for the next, new thing. She always wants to feel current and relevant and does that through her lover du jour.

Countess informs Tristan to 'not get caught' killing people and that he should never fall in love (because that is saved for her alone, forever). This basically ensures that Tristan is falling in love with someone else before the season is done and I guarantee the Countess kills her (or him).

This episode is answering a lot of questions about the Countess and her 'virus'. First she was born in 1904 and the person who 'turned' her is even more beautiful than Tristan and a guy (who is apparently long gone now as per Countess). She is kind of blowing Tristan's mind as he is questioning her amidst marathon sexytime sessions.

This 'virus' is very similar to a sexually transmitted disease which adds another layer to this show's theme of addiction. I wonder if there are rules about passing it along, or if Tristan is now capable of infecting anyone he wants to like she is. This could get super interesting.

Donovan comes to break up their sexytimes and tells Tristan he won't last a week. Donovan and Tristan REALLY don't like each other. Countess asks Tristan to leave for a minute prompting Donovan to express his disgust that she's turned Tristan. Donovan insults Tristan and Countess insults Donovan...



Countess tells Donovan that she didn't want to hurt him, and that there is no reason that this has to end badly. She is basically kicking him to the curb for Tristan (lending proof to my theory that she trades them in when the next thing comes along to keep herself feeling current). Donovan protests, tells her that he loves her. Countess just tells him that it's the heartbreaks that make them who they are. He protests again, and reminds her of what she said about the night she turned him. She had said it was the most spiritual moment of her life. He pushes her to tell him that she felt the same about turning Tristan. She tells him that turning Tristan was one of the most erotic moments she's ever experienced, which visibly hurts Donovan. The look on Countess' face as she taps that final nail into their relationship coffin tells us everything about her character without a word. She relishes hurting him. Oh, Tristan. Donovan is PISSED now. I predict Tristan doesn't last the entire season because Donovan is going to be out for blood.

John storms into the lobby and starts yelling at Iris about everything that is going on in the hotel. He's pissed and wants answers. He goes to arrest her for murder or maybe kidnapping (he's not really sure which, he's just unravelling) and Iris quips 'aren't you going to frisk me first' when he whips out the handcuffs. John wants her to tell him all about Hotel Cortez, so sit back because it's story time, nightmare inducing style.

The hotel's origins are as blood soaked as the current going ons. We find out that Evan Peters is actually the gentleman who built the hotel, and that his name is James Patrick March. This is basically American Horror Story's version of H. H. Holmes. He designed the hotel to include hidden chutes, hallways that lead nowhere, secret passages, and all so he could commit murder. Evan Peters is so DIFFERENT from his other AHS roles, and he is KILLING it. He does a phenomenal job and has thrown himself into this character. I love that it was shot in black and white because this character screams black and white. We quickly see that Mr March is addicted to murder (there is that addiction theme again) and that his loving maid (who currently still cleans up the messes in Hotel Cortez) is addicted to him. If Tristan Duffy is right out of American Psycho (or other Bret Easton Ellis novel) this character is right out of a golden age of Hollywood horror movie.

We catch the briefest glimpse of Mr March's wife who is blonde, and he apparently made her watch his kills. However we do see her remove the gag from the victim's mouth saying that she 'liked it' and I don't think she meant the scarf itself. I think she loved every minute of the screaming and that she's actually the Countess. Is he the person who gave her the virus? Doubtful, but I do think she was married to him. He is probably who Tristan reminds her of.

James March has a conversation with a victim about religion and God. The victim taunts that as long as there is God, James will never find peace. James vows that his message to world will be one against religion (basically he vows to kill God) and wants every bible brought to him. Hmm... perhaps these murders are not inspired by the Seven Deadly Sins, but rather the Ten Commandments. We see what could be the first murder in the ones currently haunting John, and since James wasn't careful with not leaving behind clues, he gets caught. The police are at his door so he kills his loving maid, Ms Evers, and then himself. This new information makes me think Murder House rules do apply and that is why they are both still there. Is Mr March the current Ten Commandments Killer too? Or someone copying him? I can't be Mr March if Murder House rules apply because he would not be able to leave.

Story time over with, John claps and tells Iris she should work as a writer for the movies. She tells him that room 64 was Mr March's office, and that it's the heart of the hotel (which is black as the ace of spades) and that he's sleeping in it (so he best get to believing).

John gets confirmation that the gold flecks on the first victim are a match to the Oscar statue delivered to John (just, ewww). John also has an interest in Mr March now, as he puts it together that the murders are in fact inspired by the Ten Commandments.

We end the episode with Tristan picking up a guy using a social media app (Grindr, maybe) and luring him to the hotel with the promise of sex. They make out in the elevator, but the guy is dismayed when Countess joins them in the bedroom. The poor guy is viciously stabbed by Tristan. Tristan offers some blood to Countess who says she'd rather watch. Another potential clue to her being Mr March's wife (he did 'make' her watch, right?). Tristan and Countess start making out over the dead guy's body as Tristan breathlessly tells her 'I want more'. Me too, Tristan. Me too.

You are a saint if you've read this entire thing. Sorry so wordy (blame the almost 2 hour show length). We got some answers, more questions, and lots of blood and sex. Cannot wait to see if any of my theories are right. Did I miss anything? Do you have theories of your own? Let me know in the comments.

Until next week .... enjoy your stay (but maybe avoid room service).

Thursday, October 15, 2015

All The Stars In The Heavens by Adriana Trigiani



All The Stars In The Heavens by Adriana Trigiani
Release Date - October 14, 2015
Publisher Website - Harper Collins
Publisher Social Media - Twitter/Facebook/SavvyReader/Frenzy
Pages - 464 pages
My Rating - 4/5
**received for an honest review from publisher**


**SPOILERS BASED ON REAL LIFE EVENTS**

Here is the Goodreads synopsis
Adriana Trigiani, the New York Times bestselling author of the blockbuster epic The Shoemaker’s Wife, returns with her biggest and boldest novel yet—a hypnotic tale, based on a true story—that dazzles with the signature elements of her previous work—family ties, artistry, romance, adventure—and introduces an unforgettable new heroine: Loretta Young, an ambitious starlet struggling to survive in Hollywood’s dream factory

In this spectacular saga as radiant, thrilling, and beguiling as Hollywood itself, Adriana Trigiani takes us back to Tinsel Town’s golden age—an era as brutal as it was resplendent—and into the complex and glamorous world of a young actress hungry for fame and success. With meticulous, beautiful detail, Trigiani paints a rich, historical landscape of 1930s Los Angeles, where European and American artisans flocked to pursue the ultimate dream: to tell stories on the silver screen.

The movie business is booming in 1935 when twenty-one-year-old Loretta Young meets thirty-four-year-old Clark Gable on the set of The Call of the Wild. Though he’s already married, Gable falls for the stunning and vivacious young actress instantly.

Far from the glittering lights of Hollywood, Sister Alda Ducci has been forced to leave her convent and begin a new journey that leads her to Loretta. Becoming Miss Young’s assistant, the innocent and pious young Alda must navigate the wild terrain of Hollywood with fierce determination and a moral code that derives from her Italian roots. Over the course of decades, she and Loretta encounter scandal and adventure, choose love and passion, and forge an enduring bond of love and loyalty that will be put to the test when they eventually face the greatest obstacle of their lives.

Anchored by Trigiani’s masterful storytelling that takes you on a worldwide ride of adventure from Hollywood to the shores of southern Italy, this mesmerizing epic is, at its heart, a luminous tale of the most cherished ties that bind. Brimming with larger-than-life characters both real and fictional—including stars Spencer Tracy, Myrna Loy, David Niven, Hattie McDaniel and more—it is it is the unforgettable story of one of cinema’s greatest love affairs during the golden age of American movie making.
The 'golden age' of Hollywood has always fascinated me. There was something glamorous about this era that sets it on a pedestal all it's own. The gossip that was made all the more scandalous because it was hidden, the larger than life personalities and the understated sophistication all ensured that it's pull on people never really left. Adriana Trigiani weaves a story not only of love, but of life, family, and friendships in this wonderfully crafted story that transports you to classic Hollywood.

This novel reads as incredibly authentic. At times you'll forget you're reading something that is a fictional account of real events. It reads like a long lost diary that lets you get a behind the scenes look at this particular time in Hollywood. The characters, the setting, the emotions all combine to create this feeling of overwhelming truth. It is a testament to the research the author must have done, and her talent to bring it all together in a compelling way. It also ensures that you'll be Googling the characters, events, and details as you read because you'll instantly want to know more about all of them.

Sometimes love stories just are not meant to be, no matter how promising the connection. You can love someone fiercely and the timing can never be right. Loretta and Clark have such a connection. Their whirlwind romance is plagued throughout the years by indecision, fear, and nagging self doubt. Each allows their own issues to prevent them from ever really getting together. Clark's wandering eye concerned Loretta, as did the consequences of what would happen if they went public. Clark didn't feel he was ready to commit, and kept making promises he couldn't keep. They each took their turn at pushing the other away. For all the flaws in the relationship, there is no denying the spark that ignites the pages when they are together. We see the proof of their connection over and over again. Neither of them really gets over the other and that love is there right until the very end, even if they are no longer in love with each other. It's a romance of regrets and wistfulness and one that belongs only on the cold, snowy, mountain top where it began.

This novel offers in depth, but unsurprising, look at the politics in play at this time in Hollywood. The treat of women and how they were viewed. Loretta realizes that she is dispensable compared to Clark Gable for many reasons and that she would be the one judged for the affair and pregnancy. This, unfortunately, still holds truth today. Women are often judged more harshly for their actions than men are.  Adriana Trigiani shows how different, and how much the same, Hollywood is when compared with today and it is entirely fascinating.I found myself getting angry at the characters for their decisions, but realized that they did not have the same choices that would be there today.

There is a bittersweetness to this story, particularly towards the end, as the story spans years and decades. We see how overarching feelings are, and the ache of regret when it's too late. This novel will make you wistful and eager to hold a movie marathon of all the great classics. It reminded me why Hollywood holds such an allure and why it ignites such fascination.

While this perhaps isn't the love story you would expect, there is one here nonetheless. It's the love between friends, between family, and even at times, between lovers. This is the story of those people who come into our lives and make a deep, lasting impression, and how over the years those are the things (and people) that will matter the most. Fans of golden age Hollywood, scandals, and imperfect happily ever afters should not miss this one.

Wednesday, October 14, 2015

Truly, Madly, Famously by Rebecca Serle



Truly, Madly, Famously by Rebecca Serle
Release Date - October 13, 2015
Publisher Website - Hachette
Publisher Social Media - Twitter
Pages - 352 pages
My Rating - 5/5
**received for an honest review from publisher**

Here is the Goodreads synopsis
In this romantic sequel to Famous in Love, new Hollywood "It Girl" Paige must navigate love with her co-stars, both on and off screen and all in the public eye.

Lights, camera, love!

After being plucked from obscurity, Hollywood's newest starlet, Paige Townsen, has a hit film to her name and Rainer Devon on her arm. But being half of the world's most famous couple comes with a price, and soon Paige finds herself dodging photographers; hiding her feelings for her other costar, Jordan Wilder; and navigating tabloid scandals that threaten to tear her and Rainer apart-and end her career as quickly as it began.

Rebecca Serle's sequel to Famous in Love is filled with the kind of celebrity drama and swoon-worthy romance fit for the silver screen.   
Imagine every decision you made as a teen dissected and judged. Imagine your every move criticized and commented upon.  Truly, Madly, Famously shows the benefits and drawbacks to fame, and is a reminder that you never really know the true story behind some of your favourite Hollywood gossip.

Paige had grown so much during the course of Famous In Love. We see the impact of those events on her within these pages, even while seeing how much more she has to grow. Paige isn't perfect, and doesn't always make the best decisions, but she learns from them. She comes out stronger, and more sure of who she is. She's doing exactly what everyone her age is doing - finding themselves. She just happens to be doing it under the blinding light of  Hollywood. The mistakes that would be a minor blip to most teens are catastrophic for Paige because she is judged and scrutinized for it on a public scale. The most satisfying part of this journey is seeing her become comfortable in the new world she is part of, and feeling comfortable in the new 'skin', so to speak, that she inhabits. It's a rocky journey but one that makes sure she's capable and confident on the other side.

This felt like more of a behind the scenes look than the previous novel did. Instead of time spent on location the novel introduces the grind of promotion, the worry over new projects, and the uncertainty that comes with new fame. Rebecca backdrops this with fleshed out relationships that felt organic to the story. Her connections between the characters are the heart of this series, and that applies to everything not just the romances. The romance is incredibly steamy, and so well done, but I was glad that equal importance was given to the friendships in this novel.

New characters are introduced and you come to love them all. Alexis is one that jumps off the page, and shines just a little brighter. Her storyline is poignant and fits into the narrative of how much this type of scrutiny warps and distorts things. It shows how much is actually secret behind the scenes. Rebecca's love for Hollywood comes through, and with it a lot of depth. She gives her characters and situations a realistic brushstroke even when portraying the daydreams of anyone who has fantasized about being famous.

My favourite part of this love triangle is that Rainer and Jordan have a connection outside of Paige. They have an entire history that doesn't include her. It's also refreshing that they are both decent people. They treat Paige and each other decently. It made the entire thing just a little more heartbreaking. Paige's ultimate decision is one that will not please everyone (no triangle could, and that is kind of the point of them) but Rebecca has done what I didn't think was possible in a triangle - end it with grace. You understand why Paige chooses who she does, even if he's not your choice. Rebecca ensures that you see why this is the right choice for Paige, and the choice is made because they are who is best for her at this time. This isn't some happily ever after situation as the notion that Paige is young, growing, and changing is always there. Her and her chosen boy could grow and change together, or grow apart. It's realistic, and exactly what this novel needed.

This fun, frothy, and insightful look at behind the scenes Hollywood is a must read for fans of CW shows, huge book series with love triangles, and the movies that come with them. It's an insider peek at what it would be like to have your every move scrutinized while falling in love and one done with a lot of depth. Rebecca has written a love letter to young Hollywood, we're just fortunate enough to get to read it.

Tuesday, October 13, 2015

A Madness So Discreet by Mindy McGinnis



A Madness So Discreet by Mindy McGinnis
Release Date - October 6, 2015
Publisher Website - Harper Collins
Publisher Social Media - Twitter/Facebook/SavvyReader/Frenzy
Pages - 384 pages
My Rating - 4.5/5
**received for an honest review from publisher**

Here is the Goodreads synopsis
Grace Mae knows madness.

She keeps it locked away, along with her voice, trapped deep inside a brilliant mind that cannot forget horrific family secrets. Those secrets, along with the bulge in her belly, land her in a Boston insane asylum.

When her voice returns in a burst of violence, Grace is banished to the dark cellars, where her mind is discovered by a visiting doctor who dabbles in the new study of criminal psychology. With her keen eyes and sharp memory, Grace will make the perfect assistant at crime scenes. Escaping from Boston to the safety of an ethical Ohio asylum, Grace finds friendship and hope, hints of a life she should have had. But gruesome nights bring Grace and the doctor into the circle of a killer who stalks young women. Grace, continuing to operate under the cloak of madness, must hunt a murderer while she confronts the demons in her own past.

In this beautifully twisted historical thriller, Mindy McGinnis, acclaimed author of Not a Drop to Drink and In a Handful of Dust, explores the fine line between sanity and insanity, good and evil—and the madness that exists in all of us. 
The cooler weather of fall always makes me think of warm cups of tea, and chilling books to read. A Madness So Discreet may just be a perfect autumn time read with it's atmospheric setting, and unsettling look at the potential for darkness in everyone.

Mindy McGinnis nails the setting of this novel with prefect precision. She transports you to the gritty, claustrophobic halls of the asylum. The first half, in particular, has a very unsettling, chilling tone that resonates in your bones. That darkness doesn't leave when Grace switches one asylum for another. The startling thing is that this feeling exists not just in the setting, but within the characters. Grace, herself, carries this around with her, ensuring that the reader is always captivated and on edge. She dances on the edge of giving into the darkness, and that means the reader does too. It's fascinating, and terrifying at the same time, as we see how close she comes.

The notion that a woman was able to be committed into an asylum on little more than the word of her father, husband or caregiver is terrifying, and Mindy McGinnis hammers that point home sharply through many of her characters. The stomach turning events that land Grace into the asylum is only one such story to be told. There are the girls who are thrown in for enjoying sex too much, or those who are committed by their husbands for nothing more than being unable to conceive a child. This combined with the inhumane treatment they receive in the first asylum as 'patient' are both unflinching, and unapologetic. This is a book that wants you to be outraged at the injustice. It wants you to experience every brutal detail and it's made all the more unsettling because you know it actually happened.

This is a book with zero romance. Grace and Doctor Thornhallow have a friendship built on mutual understanding, and they are each fascinated by the other's mind. It could have easily turned into a typical romance, but Mindy McGinnis had them be friends and partners in criminology instead. I loved that their is a relationship whose focus is entirely different than what you might expect, as it lends a different tone to the story.

The bonds of female friendship, and the strength that they can give pack a powerful punch as part of this story. The vital importance of supporting each other, and lifting each other up is something that reverberates the most within these friendships. There is more than a touch of feminism to be found in this novel as well, which was a welcome surprise. Mindy McGinnis spins the story in ways I didn't expect and both of these aspects were large parts of that.

The ending to this story is complete and satisfying, but like most murder mystery novels, another case always awaits. I could see this easily becoming a series, with Grace and Dr Thornhallow expanding their scope, and learning more about the science that will eventually become what we consider criminology. It's a fascinating, complex premise with much potential and I do hope she decided to write a follow up at some point, even if this one did provide me with all the closure I needed.

This novel sets itself up as both a creepy asylum set story, and a standard murder mystery. These are both true. However, it is really more of a character study. It's the study of a girl who has the unthinkable happen to her, and her dissent into possible madness. It examines the darkness within us all, and how easily it would be to slip into it if given the right circumstances and that crawling out is the hardest thing to do. This book is not only a murder mystery and is made all the better for it. If you're a fan of Criminal Minds, Sherlock Holmes, and creepy settings you'll undoubtedly love A Madness So Discreet. Mindy McGinnis shines a bright light on the darkest parts of human nature in a fascinating character study. I've been made eager to read anything else she writes.

Sunday, October 11, 2015

New To My Book Closet


It's that time of the week again. Time to show you what bookish goodies made their way into my home and book closet (to be saved from the evil book eating cat monster named Aria). This is inspired by the various "mailbox" posts out there (eg. In My Mailbox by The Story Siren, and Stacking the Shelves by Tynga's Reviews).

First up I have a surprise book that was released this week that has everyone talking...


Life and Death by Stephanie Meyer (goodreads)

Yup, I purchased Life and Death by Stephanie Meyer. GENDER SWAPPED TWILIGHT, OKAY! Not even sorry. I am going to read the heck out of this in November and will maybe do a review if I can fit it into the schedule in early 2016.

Next up is a mug I ordered from the lovely (and OH SO TALENTED) Gillian's Society6 shop.


This mug is perfect and I've already has some delicious Peanut Butter Cup tea from David's Tea in it. It's so perfect. I need this on a t-shirt that I can wear as pajamas. #FireBreathingBitchQueen

What books made their way into your mailbox this week?

Happy Weekend and Happy Reading!

Saturday, October 10, 2015

Weekly Obsessions


The awesome Kelly at KellyVision started posting a weekly post highlighting whatever she happened to be obsessed with that week. I LOVE this idea, so much in fact that I will be doing it myself every Saturday.

BOOK

Cover for Cassandra Clare's Lady Midnight (goodreads)



I love this cover. So incredibly pretty. I love that it goes with the previous covers but stands alone as well (since it is the beginning of a new series within that world). I love the imagery and colour scheme. I cannot wait until March to read this!

TV

American Horror Story: Hotel

The premiere was insane in the best possible way. I loved pretty much EVERYTHING (minus the severe lack of Finn Wittrock) and therefore decided to recap this season on the blog. Be sure to check out episode 1's recap and a new recap will be up each Friday (as I write them on Thursdays).

What are you obsessed with this week?

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