Showing posts with label Dance of The Red Death Week. Show all posts
Showing posts with label Dance of The Red Death Week. Show all posts

Friday, June 14, 2013

Dance of the Red Death Week - Exclusive Scene Reveal


As Dance of the Red Death week comes to an end, I have something incredibly special to share. An exclusive scene from Will's perspective that takes place during Masque of the Red Death. I am honoured to be sharing it, and as someone who ADORES Will, this just made me love him even more.

Obviously, there are spoilers if you haven't read Masque, so proceed with caution. Also, please remember to check out the giveaway going to win a copy of Dance of the Red Death (and other goodies).
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     He watched the girl flounce across the courtyard, raising her silk skirts to avoid the mud, seemingly unfazed by the violence they’d just witnessed, flipping her blonde hair. April. She’d been a patron at the club for as long as he could remember. He focused on her because it was less painful than watching Araby climb into the gilded carriage. The last few days, insulated in the tiny apartment, had been idyllic. And now she was leaving.
     Elise’s fingers clawed at his arm, desperate with fear, she wouldn’t interrupt his reverie.  
     He’d been the first to walk away, defeated from the attack, defeated by the knowledge that she would be safer with her friends. But now, he and the children stood in the shadows. Elise was terrified, the way she clutched his arm told him all he needed to know about her state of mind.
    Henry had begun to sob a little, delayed shock from the attack. Will wrapped them in his arm, but didn’t look away from the retreating backs…he let his eyes wander over to Araby, just for a moment.
     That morning, after she’d climbed from his bed, she’d pulled her hair up into a simple twist, but after the excitement of the fight and fire, most of the strands had escaped to her shoulders. Shot through with purple, her dark hair accentuated the delicate line of her neck. She was the sort of girl who drew him, and yet, more than that.
     She was the girl who drew him. Moth style, he wanted to be near her. Wanted her to return to finish their interrupted kiss.
      “I don’t want her to go,” Henry said in a small voice. Will held him even closer.
     “Neither do I,” he said. “But she isn’t safe here.”
      And neither are we. The unspoken words, that they weren’t safe either, remained unsaid, and the children realized that the three of them had been abandoned on the wrong side of town, they gave no sign.
     Elliott handed Araby up into the carriage, his hands lingering too long at her waist. Will waited for her to turn, for her eyes to search for him, the way she’d sought him out at the club. He’d known she was attracted to him. Thought they could get to know one another at a leisurely pace, as leisurely as things could be in a world where disease and death were constant companions. Instead tensions in the city had escalated and swept her away from him.
     Sighing, he led Henry and Elise across a boulevard strewn with broken glass, down a tired street lined with buildings that leaned drunkenly over the sidewalk. Their building, at least, still looked comforting and safe.
     “Will, I left my ball!” Henry’s voice rose as he realized the magnitude of his loss.
     Will turned. The sky was overcast, darker than it should be at this time of day—a lethal combination of arson and gathering clouds. They had to get inside, to safety. Henry was scraping his feet along, stubborn enough to try to pull his older brother all the way back to the park.
     Stopping in the doorway, Will searched for the words to tell Henry that the ball was lost. To promise a new one. Before he could say anything Elise, who was two steps ahead, screamed.
     Will leapt forward, but before he could reach Elise, he was shoved into the wall. For a moment Henry’s hand was still in his own, and then the warmth of it was gone. Henry yelped. Will closed his eyes, trying to make sense of the attack. Two men were holding him. Cold hands held his face to the bricks while more hands were on his shoulders. At least two for him. One for each of the children.
     When the pressure of the hands didn’t ease, he gave in to his first instinct, trying to reach the children. He fought, kicking, elbowing, dropping to the ground to try to dislodge the implacable unseen hands, but then Elise screamed. The fight drained out of him.
     “Don’t hurt her,” he gasped.
     One of the attackers laughed.
     “We won’t hurt them. Not much. Not yet. We want a certain girl. Scientist’s daughter. I think you know her. You’ll bring her to us, tonight. Or else.” As if to emphasize the threat, the man’s fist connected with Will’s chin. The blow was unexpected and his face hit the bricks hard.
     The metallic taste of blood flooded Will’s mouth.
     The pain was better than the realization.
     They wanted Araby.
     The girl he had imagined he was falling in love with.
     “Don’t damage him,” the man holding Elise warned. “Not where it’ll show. We don’t want her to suspect anything.” The attacker contented himself with kicking viciously. The pain wasn’t so bad, but each time the boot connected with his side, he heard one, perhaps both, of the children gasp.
     Will fell back to the floor, shielding himself with his arms, until the attack ended. Raising his head, he realized that he was alone with the original attacker. The children were gone.
     “Bring her,” the man commanded. He leaned close to Will to whisper an address and his hood slid back, just enough to expose a creeping rash on his collarbone. Diseased men had stolen the children. Will slumped to the floor.
     “It’s not so bad as all that. We’ll give them back, if you bring the girl. If you try to follow or find us without the girl, we’ll kill the children.” The diseased man’s bulk takes up the doorway for a moment, cutting off the light. “My master is brutal, he won’t kill them quickly.” And then he’s gone.
      Alone, Will stumbled upstairs. His neighbor’s doors stood open, belongings spilling into the hallway. In his own apartment he changed his shirt, running his fingers over his ribs, almost certain they weren’t broken. He took a knife from the kitchen and a cudgel that he often carried on his trek to the Debauchery Club.
     She’ll help me, he thought. She made her way across town to bring Henry a mask. She’ll help me. We can do this together.
     The walk to the Debauchery Club felt longer than usual, and he felt more alone. His home was empty, as was the part of his chest that should’ve been his heart. He felt numb, cold. Reconsidering his initial plan.
     She’d left him, after all. He stepped around a body, keeping vigilant for black cloaked figures. Smoke rose from inside several buildings, more profuse than if it had been from even an entire row of chimneys. The lower city was under attack. He doubted conditions were so bad in the upper city. The Debauchery District lay between the two.
      It was a long walk, but not long enough to make an impossible decision any easier.
    Will entered the club through a side door. He had all of the keys, after all.
     One way or another, he had to take Araby to the address he’d been given. Once he’d been to the location, he could get Kent, possibly Elliott, and return. He’d rescue her. But Elise and Henry…they were too young to be in the hands of a lunatic. Unaccustomed to masks, Henry was prone to taking his off, to playing an elaborate game of  hiding behind the mask and then pulling it away from his face. Being in the presence of diseased men would be particularly dangerous for them. Araby, at least had the sense to keep her mask on.
      Except when she was about to kiss someone. He felt himself flushing.
     The thought of abandoning her made him ill. He couldn’t trust her completely, not with the risk that she would revert to the spoiled rich girl that he’d seen over the last few months, that she’d refuse to help and then forget the guilt with drugs and alcohol. The fact that he was attracted to her made it worse. No, he couldn’t trust her.
     But he couldn’t leave her completely unprepared. She was too fragile. Too burdened by the guilt of her brother’s death. Somehow, he had to communicate with her, to let her know that life was worth living. To wait for him to return for her. He had to find a way to give her strength. Squaring his shoulders, he prepared himself to betray the girl who had captured his heart.

Thursday, June 13, 2013

Dance of the Red Death by Bethany Griffin



Dance of the Red Death by Bethany Griffin
Release Date –  June 11, 2013
Publisher Website - Harper Collins
Publisher Social Media - Twitter/Facebook/SavvyReader
Pages - 336 pages
My Rating- 5/5
**obtained for review from publisher**

Here is the Goodreads synopsis
Bethany Griffin continues the journey of Araby Worth in Dance of the Red Death—the sequel to her teen novel Masque of the Red Death. 
In Dance of the Red Death, Araby’s world is in shambles—betrayal, death, disease, and evil forces surround her. She has no one to trust. But she finds herself and discovers that she will fight for the people she loves, and for her city. 
Her revenge will take place at the menacing masked ball, though it could destroy her and everyone she loves…or it could turn her into a hero. 
With a nod to Edgar Allan Poe, Bethany Griffin concludes her tragic and mysterious Red Death series with a heroine that young adult readers will never forget.
Endings to a series are hard. Saying goodbye is never easy. Along with them comes hopes, and expectations. I started Dance of the Red Death with excitement, but cautious. I am happy to say that it shattered my expectations, and ended this tale with breathless beauty and sorrow.

A novel that is as dangerously dark as it's words are beautiful. Bethany's writing captivated me in her first novel, and doesn't disappoint in this one. The lush descriptions of Araby's world make it effortlessly come to life. Her characters are only helped by her wonderful talent of making even the most conflicted and flawed characters mesmerizing.

Araby’s world is just a bleak as in Masque. The disease is spreading, conditions are worsening, and the rebellion is just heating up. This side of the novel is taunt with action, and leaves some devastating casualties in it’s wake before the final bell tolls.

Araby Worth has changed from the shallow young woman from Masque of the Red Death. In her place is someone who makes her own decisions, doesn't sit by and let things happens to her, and shows she's much braver than she ever thought. Her growth is organic and not out of character. It's a natural, easy, progression to this more heroic figure. Araby's someone whose imperfections make her all the more real.

The big choice of Will or Elliott is answered in this installment. It's a choice between a lion and a tiger. Both dangerous, beautiful, and majestic. Elliott's fixation on salvaging the city, and being the saviour. Will's utter devotion to his siblings. Each of them has an agenda and Araby may not be the motivating factor in any of their plans. Elliott keeps you guessing and never let's Araby or the reader fully in. Will has a huge betrayal to make up for, and Araby's not so easily swayed.

The romance is as delicious as you would expect after reading Masque. It's tinged with a bit of desperation and darkness as the world crumbles. It's all the more intense when you're grabbing on to someone in the midst of chaos and ruin. Bethany captures this, and manages to weave in the guilt over indulging in some steamy make out sessions while everything is falling apart. In the end, this love 'triangle (for lack of a better term) ends the only way it could have. The chosen guy is who it's always been for Araby. He's the one who considers her in his actions. The one who always wanted to protect her.

The inclusion of the coloured rooms from the Edgar Allen Poe play is done seamlessly. It ties into the story rather brilliantly. It also give the reader a unique perspective on just how far Araby's character has come from the first novel.

Seductive and dark, Dance of the Red Death provides the most realistic ending to Araby's story. An ending that's murky, with just a hint of hope on the horizon. It's both heartbreaking, and affirming. I am sad to say goodbye, but cannot wait to see what Bethany has in store for us with future novels.

Wednesday, June 12, 2013

Dance of the Red Death Week Giveaway


Now that you've heard Bethany talk about Dance of the Red Death, you probably want to get your hands on a copy. Luckily I have 2 fantastic contests going on.

First Harper Collins Canada has kindly offered a set (the full duology) as a giveaway. You'll get a copy of Masque and Dance, plus some fun swag. International entrants can win a copy of Dance, and some swag.

There will be 4 winners total as two other winners will be selected for some swag only.


So be sure to enter using the Rafflecopter forms below. There is a Canada only giveaway form, and an International form so be sure you're entering under the correct one.

Thanks and Good Luck!

Be sure to stop by tomorrow for my review of Dance of the Red Death.

a Rafflecopter giveaway a Rafflecopter giveaway

Tuesday, June 11, 2013

Dance Of The Red Death Week - Interview With Bethany Griffin



Today I have the lovely Bethany Griffin, author of Masque of the Red Death, and it's sequel Dance of the Red Death stopping by for some insightful Q & A. Huge thank you to Bethany for taking the time to answer these.
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1 Describe Dance of the Red Death in three words

dark, action-packed

2 Now that the series is over, is there a character that surprised you by having a larger part than you imagined they would? 

Not...really. I guess in the beginning I didn't realize what a big role Elliott would play, but by the end of book 1, it was obvious that he was going to be a main character. And even though the children aren't a huge part of Dance, they did make it into the story more than I originally anticipated. I wanted so badly to keep them safe and out of the action! 

3 Was there anything specific you researched for the sequel?

No. I kind of just use images and ideas and go from there. I re-read Poe's Masque many times, and for some reason I couldn't keep the order of the rooms straight in my head. And then I'd go, wait, there's a violet room and a purple room, what? And then I revised the ball scenes and got them all out of order, so that was sort of research, if reading Poe is research! I have a good friend who helps me out with some research, and he sent me a three page explanation on what would happen to the steering mechanism of an airship if shot by a musket. But...he sent it to me right when I was in a drafting frenzy, so I didn't even read what he wrote. He sighed and helped me out with these details in revisions. I have good friends/critique partners! 

4 How do you think Araby would describe Will and Elliott at the beginning of Dance of the Red Death? 

At the beginning of Dance, Araby feels completely betrayed by Will. She does understand his reasons for the betrayal, but that doesn't make it less painful. She's leaning heavily on Elliott at the beginning of the book, prepared to help him retake the city. She feels he is the savior that the city needs. 

5 Did you find the sequel harder to write than the first novel in the series? 

Yes. Much much much harder. Mainly because it is really a continuation of book one, and I've realized since writing this book, that I get major writing joy from writing openings and introducing characters, which didn't happen in this book. 

6 You've written a novella titled Glitter and Doom. How would you say it ties into Dance of the Red Death?

Glitter and Doom tells the story that happens behind the scenes during Masque, basically what happens to April when she disappears. 

7 Is there anything that you wrote for either Masque or Dance, and REALLY loved but it ended up getting cut out? 

There was a...makeout scene that sort of interrupted the action. I ended up writing a scene that I liked better, but having to drop that scene was sort of painful. There were a lot of scenes that happened in tunnels under the city in Dance of the Red Death, but as much as I love tunnels and underground scenes, they weren't doing that much for the story and had to be cut. 

8 What inspired you while writing Dance of the Red Death? (e.g. a particular song, a piece of art, etc)

I listened to entire Portishead albums and sometimes The Beginning is the End is the Beginning by the Smashing Pumpkins. 

9 What are three things you need while revising? 

I have to go for long walks, I need outside--I sit on my deck a lot, and I need time. I can write if I have ten minutes. Can't do that with revising, I need chunks of time to focus and think and reread. 

10 Can you share any details of what you might be working on next? 

No details. I'm working on several projects, excited about both, and both are dark and atmospheric/would appeal to readers of Masque and Dance. I don't know what will come next, BUT I'll be happy to talk about it with you as soon as I know! 

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I can't wait to see what Bethany is working on next! Be sure to stop by tomorrow for a Dance of the Red Death giveaway!

Monday, June 10, 2013

Dance of the Red Death Week - Mini Review - Glitter and Doom



Glitter and Doom by Bethany Griffin
Release Date – March 26, 2013
Publisher Website -  Harper Collins
Publisher Social Media - Twitter/Facebook/SavvyReader
Pages -  50 pages
My Rating- 4.5/5
**Purchased**

Here is the Goodreads synopsis
A 50-page, digital-only novella set in the world of Bethany Griffin's dark and haunting retelling of the classic Edgar Allan Poe story Masque of the Red Death. When a rich teenage girl who spends her nights in the most desirable club and a smart, young inventor meet, they might have more in common than they know.

April, niece to the dying city's cruel dictator, is Araby Worth's glittery and frivolous best friend. But she's more than she appears. And when she disappeared in Masque of the Red Death, where did she go? This short novella answers that question, taking us deep underneath the crumbling city, where April crosses paths with Kent, the serious young inventor who is key to rebellion. Glitter & Doom is a story of chilling action, of spies, and of surprising love. Can love be anything but doomed is a city that's burning down around its survivors?

A dark, unnerving story about two of the most fascinating characters from Masque of the Red Death.
A 50 page novella doesn't seem like a lot of time to unravel a character,  and expand on plot but Bethany Griffin does just that with Glitter and Doom.

As rich in prose a Masque of the Red Death was, this novella offers something most do not - a perspective, and part of the story not found in the actual novel it compliments. Typically these use a different perspective to tell the same story, offering a different layer. Bethany chose to give us part of the story we're not privy to by making it from April's perspective. Araby, as our main narrator from the main novels, is not aware of what is going on, and neither is the reader. This glimpse into what happened to April is not only captivating, but illuminates a shallow seeming character in the most brilliant way.

My opinion of April changed dramatically after reading this. Her exterior hides a much more vulnerable side that is underneath. Bethany brings this out subtlety and beautifully. April's character doesn't change, but rather a layer is added that makes her more complex.

Doom takes us into Kent's world. A young scientist we briefly touch upon in Masque. It was nice to dive a little deeper into his character, and get a feel for who he was. The brief time we spend with him in this novella, surprisingly, provides quite a bit of characterization.

The tentative connection between April and Kent is, as the synopsis states, a surprising one. The build up is rather organic and sweet. It's one that I can only hope will grow in Dance of the Red Death.

A perfect bridge between the two novels that make up this duology, and a unique perspective that differs from the novels themselves make this a novella not to be missed.

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