Sunday, November 15, 2015

New To My Book Closet


It's that time of the week again. Time to show you what bookish goodies made their way into my home and book closet (to be saved from the evil book eating cat monster named Aria). This is inspired by the various "mailbox" posts out there (eg. In My Mailbox by The Story Siren, and Stacking the Shelves by Tynga's Reviews).

One of my most anticipated books of this year made it's way into my book closet this week! The other book is one that is on my radar for 2016 and I am very excited for both.

First up is a book that ends one of my favourite series, and is one I've been excitedly waiting for.


Winter by Marissa Meyer (goodreads)

Sadly I don't have it with me to take a picture but I purchased it in hard cover. The pages are SUPER thin which makes it less bulky than I anticipated but has me terrified I'll tear the pages. I am so excited to begin this one next week!

A huge thank you to Raincoast Books for the second addition to my mailbox this week.


American Girls by Alison Umminger (goodreads)

This one has been on my radar for 2016 since I read the deal announcement blurb and I am really excited to have it in my hands. I will be reading it soon!

What books made their way into your mailbox this week?

Happy Weekend and Happy Reading!

Saturday, November 14, 2015

Weekly Obsessions


The awesome Kelly at KellyVision started posting a weekly post highlighting whatever she happened to be obsessed with that week. I LOVE this idea, so much in fact that I will be doing it myself every Saturday.

BOOK

Cover for Sing by Vivi Greene (goodreads

The cover for this amazing sound novel was just revealed and I LOVE it. The synopsis offers up a Taylor Swift inspired vibe and the cover only increases that comparison.



Fun, right? I definitely want to get my hands on this as it sounds like a book I am going to really enjoy.

Heartless by Sarah Henning (goodreads)

As someone who loves fairytales and fairytale retellings this book immediately caught my attention. I've seen lots of Little Mermaid inspired stories but this one sounds like a delightful twist on the classic tale as it is told from a unique perspective.
Pitched as the never-before-told origin story of the sea witch from Hans Christian Andersen's "The Little Mermaid" told in the vein of Wicked – from the villainess's point of view
Amazing right? And the fact that it is based off Hans Christian Andersen's version lends itself to a darker, much unhappier ending (as least for the mermaid). I am excited to see a cover, and eventually read this amazing sounding premise.

TV/MOVIE

Me Before You Release Date Moved

JoJo Moyes recently announced that the release date for the Me Before You movie has been moved up to March! Very exciting news as this means a trailer will be right around the corner along with other promotion material (like movie posters and stills). This novel is one of my favourites and the cast has me anticipating a spectacular movie.

What are you obsessed with this week?

Friday, November 13, 2015

American Horror Story: Hotel - Room 33



This week revealed who lives in Room 33. It also introduced a new romance, and saw two characters leave Hotel Cortez. Lots to talk about, but before we get into that, I'll start this recap with the usual warnings that.... there will be spoilers. Now let's talk Room 33.

Flashbacks are always fun. Flashbacks that take us back to season one are even better. We learn that in 1926 Countess (going by Mrs Johnson) visited the 'doctor' from season one, Charles Montgomery, at Murder House. She was there to get an abortion and was referred to him by her friend, Margaret Gibson. The name sounded vaguely familiar so I did a quick Google check. Turns out Margaret Gibson is an actress from the silent movie era who famously confessed to killing a director (William Desmond Taylor) on her death bed. If this is supposed to reference her...it fits with American Horror Story perfectly. Countess is married, and her husband simply cannot know she's with child. My theory is she was married to Mr March (he was around in the 20's) and met the person who infected her. She most likely got pregnant before, but that's to be determined. Charles asks her how far along she is, and Countess reveals a very impressive baby bump but tells him she's three weeks along. Is she already infected at this stage and that is what is speeding up the pregnancy? The doctor agrees to help her. During prep, the nurse comments that Countess' body temperature is very low. They perform the operation, and the 'baby' attacks the nurse before it's revealed to be a boy and given to the Countess who tenderly holds her child. Does the Countess' blood explain what happened in Murder House? Interesting connection that I hope is expanded upon more. It would explain some things about why the Cortez and Murder House have similar 'rules' about what happens when you die on the property.

John continues to have a VERY BAD DAY and wakes to find Holden in his bed who greets him with a seriously creepy 'Hi, Daddy' and a giggle. John chases Holden through the Cortez to the room where all the child vamp coffins are. He, naturally, sees his soon to be ex-wife in one of the coffins holding Holden and promptly faints.

My prediction that Tristan would fall in love with someone who is NOT the Countess turned out to be correct. Seems he and Liz Taylor have been having an extremely passionate affair. They have a post sexytimes cigarette and Liz gives Tristan some books. Tristan admits that nobody ever thought he was smart enough to give him 'real' books before (which is both heartbreaking and sad. You just want to hug Tristan.. okay maybe that's just me). Their chat leads to them both admitting that they love each other and they are actually incredibly cute together. I feel cheated out of getting to see them fall in love. It's the biggest issue I have with this episode. It feels like we should have seen this evolve. Tristan says he loves Liz because whenever he goes downstairs she is generally happy to see him. Liz tells Tristan that whenever he enters the room it's like Christmas morning. They are basically nauseatingly cute and happy. Liz thanks Tristan for seeing the girl inside her and begins to cry. Liz feels guilty about them betraying the Countess but Tristan thinks she could understand if she realizes they are in love. Sorry, Tristan. She's not going to understand anything and SHE WARNED YOU!

Countess is attempting to engage in some sexytimes of her own with Will Drake. His body, however, is not co-operating. Seems Countess is up to the challenge though and calls on Tristan for his assistance in getting Will 'prepared'. Tristan isn't into it. He tells them he's not gay and that he lied about the prison stuff. Tristan looks really uncomfortable and despite how much he protests, Countess basically pulls rank and makes him fall in line. When did Tristan's story get so heartbreaking?!
 
Alex decides that the best way to deal with John finding out about the coffins is to sedate him, bring him to his room and clear away the coffins. Smart plan, actually. She asks Liz for help (who is delightfully snarky about it) who only softens when love is brought into the conversation via Alex's love of Holden. Liz is all about love right now thanks to Tristan.

After smashing and clearing away the coffins, Alex wakes John who reiterates what he saw. He is sure and determined. Alex pokes holes in his fragile story by reminding him that this is the same thing Scarlet told them. John gets agitated and wants to check out the room where the coffins were for himself. Obviously, there is nothing there.

Countess goes to Room 33 which we discover is her baby's room. The baby hasn't aged, so the infant must also be infected. She tells the baby that she is going to Paris (with Will) and that when she returns she'll have enough money that she'll never have to leave again.

Ramona and Donovan use the fact that Countess is away to initiate their plan to take Countess' kids from her. Donovan doesn't seem as into the plan as he once was. He would rather go to the Penthouse and trash it as payback. Ramona adeptly deduces that it's not because he feels anything for the children, but because he is still in love with Countess. Donovan points out that Ramona is just as obsessed as he is. Ramona wants revenge though, Donovan. That is what drives her. Donovan is just lashing out because he's hurt that he was dumped. Ramona tells him to go ahead and she'll go take care of the vamp children.

Ramona and Iris discover the children are not in the room they are supposed to be in. Ramona tells Iris to go find them (as Iris sees it as a kindness to kill them as the hotel is no place for children). Ramona wants to make sure that Countess has nothing left to live for by killing her baby and asks for the key to room 33.

While Donovan is riffling through Countess' things he runs into the Swedish tourists from episode one. Donovan explains that they are stuck at the hotel, and that their life is going to be a continuous loop until they find their purpose. We also see that the male half of the annoying couple Iris killed is haunting the halls yelling about kale (WORST GHOST EVER). Donovan tells them a tale of a young woman who killed herself at the hotel in the bathtub. Donovan explains that she was aimless and stuck until she discovered that she could terrorize and kill the guests. Donovan reminds them that having a purpose will not allow them to leave the hotel (seriously, you can NEVER leave) but it will break up the monotony. The Swedish tourists ask about his purpose. Donovan bemoans that he lost his purpose when he lost Countess. Seriously, Donovan. There are plenty of other women out there. Ugh. I can't believe I LIKED you.

Ramona enters room 33 calling out for Bartholomew (the baby has a name!) and calls him Love Bug (which, HILARIOUS) and tells him that 'Auntie Ramona' missed him (while brandishing a knife, obviously). Ramona gets Bartholomew to come out, but he attacks her and escapes before she can attack him. Vicious little thing.

Liz fills Alex in on the fact that Bartholomew is missing after he discovers the door to room 33 open. Alex scurries off to search and Liz meets Ramona at the bar. She asks Ramona to leave because he tells her that he is in love and he doesn't want Ramona to destroy everything. Liz tells Ramona all about Tristan (he's young, he's beautiful, he's exquisitely damaged, he's mine... mostly) and Ramona pieces together that Liz means Countess' current boy toy. Ramona, who has experience with how much the Countess does not like to share, tells Liz to take Tristan and run. Smart advice, to be honest. Liz however thinks that Tristan is a passing fancy for Countess and that she'll understand.

The Swedish tourists take Donovan's words to heart and start their search for purpose by murdering an attractive guest of the hotel (after having sex with him, of course). Can we take a moment and thank Ryan Murphy for all the cute guy butt we've gotten to see this episode?! Alex discovers them during her search for Bartholomew. The Swedish tourists are upset. They didn't enjoy murder as much as they thought they would. Alex tells them that instead of murdering guys, how about they just drive them insane instead, and she has the perfect guy to start with... John. I know that divorces can be bitter, but REALLY, Alex?!

John, however, isn't at the Cortez. He heard over his police scanner that there had been another Ten Commandments murder (which he probably committed) and went to check it out. His old partner was, understandably, not happy to see him. He tells John to basically 'GTFO' and tosses John out on his cute behind. John does not take this well, at all. He decides alcohol and self loathing are the best ways to deal with everything. Liz finds him drinking in the hall and he tells Liz that he really does love his kids, and his wife, but that he is just really shitty at it. Liz tells him to go sleep it off as there are some undesirables in the hotel. John snaps back that perhaps the undesirables should be scared of him. Okay, Mr Murdering Murderer, we get it. Liz tries to take the bottle away but John is very determined to have his mental breakdown.


Liz leaves John to his downward spiral and John is accosted by the Swedish tourists. He's all to happy to engage in sex with them but it's not long before there is blood all over the bed (the girls basically vomit blood all over the bed) and John is running through the hotel naked covered in it. He gets Liz to follow him back to the room where a very cross Miss Evers is upset about the state of the sheets. She is my favourite here, berating John for the mess he has made ('This much blood will take three washings to get out'). The girls saunter out of John's bathroom delighted that John is completely unhinged. They much prefer this to murder. Miss Evers calls them harlots who have no respect for fresh linens. Seriously, She is the best. John starts yelling at everyone to get out of his room. Once they leave John sees Mr March who shares that he is happy to see that John is 'finally, truly checking into Hotel Cortez' (still very much a card carrying member of the John is the TCK club). This causes John to snap and decide that perhaps this is the low point. Perhaps covered in blood, seeing things and barely sane is when you call it quits. He starts packing and checks out of the hotel, but Bartholomew has stowed away in his luggage (so even when you check out a piece of the hotel goes with you, apparently).

John remembers he has a daughter who is quite miffed that neither of her parents have picked her up from her friend's house like they were supposed to. She is angry that she hasn't heard from either parent in two days and takes off crying. Honestly, she's better off with her grandparents at this point. John promises her that he'll make it right but Scarlet is over it. It doesn't help that John ends up shooting a gun at Bartholomew (who has escaped the suitcase and is exploring John's house) which terrifies Scarlet. It ends with the police, and Alex showing up. Alex ships Scarlet off to her grandparents (may she live there forever, because honestly) and tells John that it's a good thing he left the hotel. John realizes that Alex is going back though and basically alludes to the fact that she's a hypocrite. As Alex is leaving she finds Bartholomew who has made his way outside and scoops him up bringing him back to the hotel.

Countess and Will return from Paris with Lachlan (another parent who has recalled he has a child). Countess sends Will off to bed. Liz comes and wants to talk to her about Tristan. She explains to Countess that she has fallen in love with Tristan. Countess says that sharing is not in her nature and offers that Liz can have Tristan when she's done with him. Liz reminds her that time passes for those who are not immortal. Countess offers to have them all talk this out together. Tristan comes into the room and I am instantly on edge. There is this feeling of foreboding as Countess starts telling them that she can taste emotions. She lists various emotions and what they taste like. She says she enjoys them all, except betrayal. Tristan calls her out though with an incredible speech (and a goosebumps inducing performance by Finn Wittrock).
‘What did you expect? I am just going to spend my life crying over your broken promise? I know I'm dumb and I'm just a model but I know you. It’s not that you get bored and move on. Moving on is the point of the whole thing. That is your orgasm. You collect us and create us and get us addicted to the light of your love just so you can take it away. You feed off the heartbreak, knowing we’re out there suffering over you. Well, not me. I was made for more than that. For a real love.’
I was basically shouting "SHUT UP, TRISTAN, SHUT UP" at the television even though the entire scene was mesmerizing. Liz pleads for the Countess to let him have this happiness. Countess asks Tristan if that is what he wants as well. Tristan's answer is to go to Liz and they hold each other. The tension here is palpable because you know something is going to happen, and that it is nothing good. Countess relents and says that Liz may have him. However, she ruthlessly cuts Tristan's throat and a distraught Liz holds his body as the blood gushes out. I am right there with you, Liz. Why did you have to kill my eye candy, Countess?! Countess reminds Liz that Tristan is hers now, so she needs to get rid of his body. Countess is brutal, and she told Tristan not to fall in love (still, that's a little harsh).

I figured Tristan would be dying when I saw in a recent interview that Finn had cut his hair. The Tristan cut was gone in favour of a shorter one. I have a theory, however, that this is not the last we'll see of Finn Wittrock on the show (or at least I hope it's not). I think that whoever turned the Countess looks identical to Tristan. They are basically doppelgängers and that means that Finn's gorgeous face (and cute behind) will be gracing our television sets again soon.

Countess leaves to go visit Bartholomew only to find Alex rocking him. Alex explains that he got out and that he lost some blood but that he'll be fine. Countess is extremely gratful that Alex saved her son and Alex reminds Countess that she saved Holden (not sure I would call what she did to Holden saving but okay..). We end the episode with our first glimpse of Bartholomew and it offers up another call back to the first season. Bartholomew resembles the Infantata. Rather than subjecting you to a picture just take my word for it that Bartholomew is not a pretty baby.

Tristan is dead. I am in mourning. John is insane and still a serial killer. Scarlet is hopefully never coming back to this mess of a family and I am beginning to think we've seen the last of Gabriel, too. I cannot wait to see how else this season ties into season one!

Until next week..... enjoy your stay (just don't drink the water on the fifth floor) 

Thursday, November 12, 2015

2016 Most Anticipated Event Announcement



It's that time of year again. 2015 is ending and the excitement for 2016 releases is beginning. I am once again hosting an event to highlight the novels I am most anticipating next year!

The event will kick off on the 19th of November with a different title or guest post being featured each there. There will also be a fun prize pack available at the end that will include the winner's choice of pre-order of any of the titles, and a bunch of other goodies.

I am so excited to share this year's selections. It's includes novels about boy bands, genies, a Queen of Hearts, some that are inspired by the 1920's and, of course, some that feature my favourite boy who wouldn't grow up (plus MANY more).

I think there is a little something for everyone and hope you find a new book to be excited about in the new year!

Wednesday, November 11, 2015

Waiting On Wednesday ....... Sing


Waiting On Wednesday is a weekly event, hosted by Jill at Breaking The Spine that spotlights upcoming releases that we're eagerly anticipating.

My pick this week is Sing by Vivi Greene


Here is the Goodreads synopsis
America’s most famous pop star flees the spotlight to recover from her latest break-up in Maine—only to fall for a local boy and be faced with an impossible choice at the end of the summer: her new guy, or her music.

Multiplatinum pop icon Lily Ross’s biggest hits and biggest heartbreaks (because they are one and the same):

1. AGONY. (That feeling when her ex ripped her heart out of her chest and she never saw it coming.)
2. GHOSTS. (Because even famous people are ghosted by guys sometimes. And it sucks just as much.) 
3. ONCE BITTEN. (As in: twice shy. Also, she’s never dating an actor or a musician ever again.)

But this summer’s going to be different. After getting her heart shattered, Lily is taking herself out of the spotlight and heading to a small island in middle-of-nowhere Maine with her closest friends. She has three months until her fall tour starts-three months to focus on herself, her music, her new album. Anything but guys.

That is . . . until Lily meets sweet, down-to-earth local Noel Bradley, who is so different from anyone she’s ever dated. Suddenly, Lily’s “summer of me” takes an unexpected turn, and she finds herself falling deeper and harder than ever before. But Noel isn’t interested in the limelight. She loves Noel-but she loves her fans, too. And come August, she may be forced to choose. 
This screams Taylor Swift to me (even the cover feels like a nod to her) and that immediately piqued my interest. The cover for this one was just revealed and I am pretty much loving the idea of everything about this book.

The wait for this one is quite long, but manageable considering I just heard about it. It'll be a perfect pool read in June of 2016.

Expected release date - June 7, 2016

Tuesday, November 10, 2015

Hello? by Liza Wiemer



Hello? by Liza Wiemer
Release Date - November 10, 2015
Publisher Website - Spencer Hill Press
Publisher Social Media - Twitter
Pages - 400 pages
My Rating - 4.5/5
**received for honest review from the publisher**

Here is the Goodreads synopsis
One HELLO? can change a life. One HELLO? can save a life.

Tricia: A girl struggling to find her way after her beloved grandma's death.
Emerson: A guy who lives his life to fulfill promises, real and hypothetical.
Angie: A girl with secrets she can only express through poetry.
Brenda: An actress and screenplay writer afraid to confront her past.
Brian: A potter who sets aside his life for Tricia, to the detriment of both.

Linked and transformed by one phone call, Hello? weaves together these five Wisconsin teens' stories into a compelling narrative of friendship and family, loss and love, heartbreak and healing, serendipity, and ultimately hope.

Told from all five viewpoints: narration (Tricia), narration (Emerson), free verse poetry (Angie), screenplay format (Brenda), narration and drawings (Brian).
Hello? is the story of  moments, specifically moments that have the power to bring people together and those that can help people mend. Using a unique format, Liza Wiemer crafts a heartfelt tale of the beauty that can be found in the inexplicable ways we are tied to one another. Life is a series of moments, and Hello? shines a spotlight on why making them count matters.

This is a hard novel to review simply because you have to experience it. Part of what makes this book special is the experience of taking this journey with these characters. Allowing yourself to feel the emotions the writing brings out in you is what books like this are meant for and the pay off of not having that tainted is worth it.

A lot of heavy topics are covered within these pages and are done so with an openness that encourages conversation. There is a directness to the author's approach of these topics. The seriousness is present without veering into where they take over the novel. It's not an 'issues' novel. It's a novel in which the characters within grapple with things. It never feels like these issues are the character and this makes the story feel all the more authentic.

The effective use of multiple styles of narration to tell this story worked surprisingly well. It's not something I've encountered before, and it is this novel's defining feature. The use of the narration as a character trait was also incredibly well done. The style used for each character reflects not only their journey but offers an insight into who they are. Particularly impressive was Brenda's narration which is told in screenplay format. We learned so much about this character through a means that is not typically used, and doesn't lend itself naturally to character development. This narration style made sense for who Brenda is, and showed us her character in a way that any other narration would not have. All the narrations blend seamlessly together to create a cohesive whole and that is a direct result of how the story is shaped and crafted.

This is the kind of novel that, when you're done reading it, leaves you wanting to be a little kinder to those around you. The impact of a simple word could be life altering to the one hearing it. While there are heavy topics found within these pages, it's the feeling of hope that is the most powerful. It is what the author leaves you with, and what resonates the most. It makes you reflect and leaves you a little in awe of the chain reaction that can be created from the smallest of gestures. This novel celebrates those little connections and coincidences that seem so small, but that can end up being everything. A random moment of kindness can make all the difference to someone. An unknown connection can bring two people together. It reminds us of how small our world can be sometimes.

A uniquely written novel that is a must read for any fans of young adult contemporary novels. It showcases the power of human connections, and reminds us that a simple hello can change everything. Liza Wiemer is definitely one to watch in the contemporary genre and this book will leave you eager for whatever she happens to write next.

Monday, November 9, 2015

For The Record by Charlotte Huang



For The Record by Charlotte Huang
Release Date - November 10, 2015
Publisher Website - Delacorte/Penguin Random House
Publisher Social Media - Twitter
Pages - 320 pages
My Rating - 4/5
**received for honest review from the publisher**

Here is the Goodreads synopsis
If Almost Famous were a YA novel . . . a raw, honest debut celebrating music, friendship, romance, and life on the road.

Chelsea thought she knew what being a rock star was like . . . until she became one. After losing a TV talent show, she slid back into small-town anonymity. But one phone call changed everything

Now she’s the lead singer of the band Melbourne, performing in sold-out clubs every night and living on a bus with three gorgeous and talented guys. The bummer is that the band barely tolerates her. And when teen hearthrob Lucas Rivers take an interest in her, Chelsea is suddenly famous, bringing Melbourne to the next level—not that they’re happy about that. Her feelings for Beckett, Melbourne’s bassist, are making life even more complicated.

Chelsea only has the summer tour to make the band—and their fans—love her. If she doesn’t, she’ll be back in Michigan for senior year, dying a slow death. The paparazzi, the haters, the grueling schedule . . . Chelsea believed she could handle it. But what if she can’t?
If the CW were to make a show following the the behind the scenes antics of a popular band, For The Record would be it's literary equivalent. This book has everything a great CW show does - forbidden romance, a mysterious girl, a new girl who feels out of place, and plenty of angst. It also happens to be well written, and filled with some fantastic characters.

There is a mix of reality meets over the top drama that really works for this novel. The ending, in particular, felt real and like the only ending plausible for these characters. There are moments of high tension and drama that would be at home on any television show, but there are moments that also felt incredibly honest and true. Even the most heightened elements had a ring of truth to them, and that is because of the writing. The writing never allows the tone to feel ludicrous. Everything that happens is crafted with a kernel of plausibility and the sharp writing brings it together. The characters are taken into consideration and that grounds even the most outlandish events.

Chelsea's situation is an easy one to sympathize with. She's the girl thrust into a ready made band, and is learning things as the reader does. She is also the character that comes across as the most developed. We spend the most time with her, so we get to know her the best. Her journey is easy to get lost in because everything about her character is easy to root for. Her insecurities, triumphs, highs and lows are felt immensely, and is one of the most well crafted parts of the story. She's someone that wants to do things her own way. She's not interested in just fading into the band. She's not instantly comfortable, and she makes mistakes along the way, but always stands up for her convictions. It's sort of the opposite of the 'chosen one' where she'd fit effortlessly into the group. She has to prove herself, and struggle to find her own place within the group. It added another layer of authenticity to the plot that kept it grounded.

The gritty, unglamorous tone of life on the road blended perfectly with this story line. It created the perfect world for these characters to inhabit, while adding to the realistic tone of the story. The novel balanced the good, bad and gross parts to touring in equal measure and showcased how easy it would be to get caught up in the whirlwind. There is heightened urgency to things while in this bubble. Every emotion feels a little deeper, and that includes any tensions. Charlotte Huang captured this in every way possible, even in the littlest details.

While characters like Chelsea, Beckett, Mandy and Pem stood out, plenty of the other characters blended together. The other band mates in particular didn't shine as brightly, and felt like background filler. Hollis, the mysterious girl who Chelsea is replacing, felt like more of a presence than some of the other characters who played a larger role. The characters who were given the attention were well developed, and interesting, so it made the lack of the same in the others stand out all the more. This book would almost benefit from being a series of companion novels, even if the ending is wrapped up a little too firmly for that to happen.

For The Record offers up a fun look at life in a band and all the insanity that comes with it. It's an addictive, drama filled read that will have you flying through the pages. It's perfect for those who love music and who have ever daydreamed about life in a band. 

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