Saturday, January 9, 2016

Weekly Obsessions


The awesome Kelly at KellyVision started posting a weekly post highlighting whatever she happened to be obsessed with that week. I LOVE this idea, so much in fact that I will be doing it myself every Saturday.

A new year and a bunch of amazing things have already been revealed/announced. 2016 is shaping up to be incredible for fans of books, movies, and TV! Here are some of the things I am obsessed with this week...

BOOK

Cover for Marissa Meyer's Heartless (goodreads)

I have been really excited about this title since I first heard about it. I am really excited that we have a cove for it now, and that it also happens to be a fantastic cover.


Stunning right? I love how it reminds me of the Queen of Hearts but is clearly THIS version of the Queen of Hearts. I cannot wait to see what turns her into the Queen we love to hate in Alice in Wonderland (and for all the other Wonderland characters who will make an appearance).

TV/MOVIE

Bates Motel Season 4 Premiere Date

Very excited that Bates Motel will return on March 7th. I cannot wait to check back in and see the incredible performance that, I am sure, Freddie Highmore will give. If you're not already obsessed with this show make sure you catch up in time for the new season.

Finn Wittrock's dual roles in Abe

Forbes announced that Finn Wittrock has signed on to play two roles in a new movie entitled Abe. One character is a sexy rock-star bad boy  named Logan, and the other is a sexy (because Finn Wittrock) introvert named Abe who spends most of his time playing video games. The catch? Logan only exists in Abe's imagination. Apparently they were going to cast two different actors for the roles until Finn auditioned for both. To say that I am excited for this movie is an understatement. I am already desperate for a trailer and more details.

OTHER

Emery Lord's When We Collided pre-order campaign

I have already devoured and loved Emery Lord's newest novel. Vivi and her story are unforgettable. It's a beautifully written, thoughtful book and I was ridiculously thrilled to see this pre-order campaign pop up. How amazing are these postcards?!


Visit Bloomsbury's Twitter account for details on how to submit your receipt to secure your own set of these amazing postcards! I am so excited to have already submitted mine. You won't want to miss this incredible book.

What are you obsessed with this week?

Friday, January 8, 2016

American Horror Story: Hotel - Battle Royale



With just two episodes left in the season American Horror Story is starting to wind down the story and thin out it's cast. Lots of twists, turns, and death in this penultimate episode. I'll start this recap with the usual warnings that.... there will be spoilers. Now let's talk Battle Royale.

After that insane ending from last week (the one where Liz Taylor and Iris rushed into the room with two guns EACH shooting up everything in sight to Hotline Bling) I was not sure what to expect.

We are treated to a flashback of Iris and Liz planning their ambush. They agree to go in guns blazing and not stop until Countess is down. They rush into the room (no Hotline Bling this time though) and start shooting. Donovan, being stupid, dives in front of Countess to protect her and pushes her down. Iris realizes her son is there and that they are killing him as well and calls for Liz to stop but it's too late. Donovan has taken a majority of the bullets. Iris rushes over to him and Donovan accuses her of murdering him (which, kind of hilarious). Iris assures him they were aiming for Countess. During this exchange the Countess makes her getaway much to Liz's dismay. Liz demands they follow Countess and finish it, but Iris does not want to leave her son. Donovan begs them to take him outside the hotel before he dies (being stuck for eternity with the love your life's exes would be really awkward). Liz and Iris move him outside, and as Donovan lays dying his only concern is a heartbreaking one.


After Iris assures him that he is safe (meaning out of the hotel and thefore it's safe to die) Donovan thanks her and calls her mom before passing away. I am still very angry at you Donovan for Valentino's death BUT this was really sad and touching. You have to feel at least a little something for him and I am surprised to find that I am glad he's found some eternal peace and isn't stuck in the Cortez.

Lucky for the Countess she's been rescued. Sally has taken Countess to her lair in the basement (which is as twisted as you would expect for where Sally would reside). She's removing the bullets and sewing the Countess back up (not gently either). Sally has severe abandonment issues and seems obsessed with getting assurance that the Countess will not leave her like everyone else. There is this vibe between them that had me questioning if they ever hooked up (which would not surprise me). Sally decides that she is going to share her tragic backstory with Countess while she has a captive audience. Sally was a drug dealer for a lot of people back in the day including some band. Sally fell in love with both members of the band and the three quickly became lovers. One night they checked into the Hotel Cortez and did a whole lot of drugs and in what is seriously the most brutal, gross, unforgettable sequence we learn why Sally sews people into mattresses. During their drug fuelled sexytimes (which included Sally shooting a needle full of drugs into the guy's penis *shudder*) she decided it was a fantastic idea to sew them all together. Yup, she sewed herself to her lovers because she was so in love with them. Unfortunately, both of her lovers overdosed and Sally was stuck with them for 5 days after they died (Miss Evers decided to leave her there, and come back later to clean up the mess). We also learn that the Addiction Demon showed up on the second day and tortured her for three days before she ripped herself away from the bodies. This entire scene is easily the most scarring thing American Horror Story has ever done, and that is saying something.

Turns out that Sally really doesn't care about Countess. She's only saving her because she wants Countess to help her get John back. Tells Countess that he, Alex, and Holden have left. She throws the fact that they took Holden in Countess' face a little bit. Sally is obsessed and wants to make sure John dies in the hotel and needs Countess to do it. Countess points out the obvious fact that she's in no position to help anyone. Sally promises to bring Countess all the blood she could need to get well. Countess tells her that she needs vampire blood, not regular blood (not even sure why, but okay) and asks for Donovan so she can drink from him. Sally tells her that Donovan is dead and Countess actually looks a little sad about it.

Remembering that they have another child John and Alex bring Scarlet home. She wants to know how they are going to explain that Holden hasn't aged to everyone. John tells her that nobody needs to know that Holden is back. They explain to Scarlet that Alex and Holden have to take 'medicine' now to which Scarlet sassily replies "you mean blood?" and demands to know if they are going to eat her like Holden did the dog. They assure her that nobody will be eating her and that John is going to bring food for them (so John is still very much okay with being a serial killer). Scarlet is going to have so many therapy bills. This poor child.

Sally decides to bring two of Countess' blonde vampire children for Countess to drink. Countess refuses because she'll drain and kill them. Sally tells her that the kids are dead either way because Iris and Liz will kill them if Countess dies. The kids tell her that it's okay and tenderly call her mommy. Countess is obviously distraught as Sally sets up the intravenous that will drain their blood into her. This episode is really sad and dark. I did not ask for these feelings. I am still in mourning over Valentino! I don't need this too!

Liz brings Iris a container that holds Donovan's ashes. Iris asks for a minute by herself and proceeds to spread Donovan's ashes onto the bed. She says a lovely goodbye to him and rolls around in his ashes, I guess. They never really tell us how but she ends up covered in them. She demands Miss Evers vacuums him up and goes on the roof to let some of the ashes still on her be lifted away by the breeze. It's a lovely bit of acting by Kathy Bates, but otherwise not a crucial element of the plot.

Liz and Iris decide that the best course of action is to free Ramona because she wants Countess dead as much as they do. They go into the chamber and realize Ramona is already free because of the dead bodies strewn around (most of them the child vampires Alex was responsible for). They convince Ramona not to kill them by offering her revenge and food. As they head out to bring someone back to the hotel for Ramona to eat they run into a familiar face attempting to check into the hotel - Queenie! Yup, Queenie from Coven. Turns out witches are out to the public and appearing on CNN. They check Queenie into a room that has Ramona waiting in it. This scene shows why I love American Horror Story. We get to see a vampire and a witch that is basically a human voodoo doll fight each other. This fight is incredibly fun to watch with Queenie hurting herself and the damage manifesting itself on Ramona. While it seems that Queenie has the upper hand, Mr March steps in to tip things in Ramona's favour. Turns out a ghost cannot be impacted by Queenie's talents because they are already dead. He stabs Queenie, and Ramona drinks her blood. Witches blood is apparently quite good for a vampire's health as Ramona feels invincible. Mr March is delighted because he wants Ramona to kill Countess. He doesn't want his hand to have any part in it though as it would risk his happy ending if he just killed her himself. Everyone is so obsessed with the Countess that I am beginning to wonder if she has a magical vagina or something. Seriously. 

John is still making bad life decisions and abducting people. He's bringing food home for Alex and Holden like he promised but discovers them missing. A room key for the Cortez is left as a clue to where he can find them. John, showing a little bit of smarts, figures Sally is to blame and rushes to the Cortez. He demands she tell him where his family is, but Sally explains it was actually Mr March who had them brought to the hotel. She reminds John that he still has one murder left to complete the promise he made to Mr March. She assures him that his family is safe... for now. John is all "fine, let's go kill someone" and sets off to find a murderer to kill for "Thou Shalt Not Kill". 

Ramona is eager to enact her revenge and goes off to find Countess. Having been restored by the blood of her vampire children, a very distraught Countess is in her room mourning everything and everyone she's lost. She's weak and would be easy prey for Ramona. When Ramona enters the room Countess immediately senses her because of the scent of her blood (walnuts). Countess remarks that Ramona looks incredible, and Ramona tells her that it's the witch's blood. This scene is rather mesmerizing. Both Angela Bassett and Lady Gaga hold their own as the two circle each other. Countess talks her way out of being killed however by pulling the pity card. She calls herself a curse, and that everyone that gets close to her is destroyed. She tells Ramona that she is trying to apologize and offers Ramona the hotel in exchange for her life. Countess admits she stayed at the hotel because she liked living in heartbreak, but she's done with that now. Ramona admits it is easier to kill Countess when they are not in the same room because Countess manages to humanize herself. They start making out and Countess tells Ramona that all she wants it to leave the hotel with her baby but she wants to have sex with Ramona first. 

Ramona must accept Countess' deal because Countess is on her way out of the hotel and about to get into the elevator. When it opens however, she finds John waiting with a gun. He shoots Countess and this time she doesn't have Sally to save her. This ending is rather fitting. John, whose life was destroyed by Countess, enacts a sort of macabre revenge and uses Countess' head as the last trophy. There is even a little smirk on his face as he pulls the trigger. Mr March is, obviously, delighted because he got exactly what he wanted. As he congratulates John on a job well done Sally goes to kill John. Mr March stops her because he still has big plans for John that require him to be able to leave the hotel. He threatens Sally with 'his Addiction Demon'. So, did Mr March bring forth the demon? I need to know the origins of this thing. If this is Mr March's way of keeping Sally in check it's a pretty awful way to do it. John has zero patience for their bickering though and demands to see his family. 

Mr March (who knows if he took John to see his family...) is getting ready for Countess to join him for dinner. He and Miss Evers discuss being ghosts and how confused they were at first. Mr March wants to be Countess' rock during this transition as he expects she'll be similarly confused. Wait! Wait! Wait! If vampires can become ghosts.. where the heck is ghost Tristan?! He died in the hotel, and was a vampire just like Countess. I hope that his absence is explained because that is a huge plot hole. Countess arrives and Mr March inquires how she's feeling. She explains that while there is no pain she feels empty. There is no passion or fire inside her. Miss Evers makes a snide comment about passion being right in front of her face, but Countess not opening her eyes to it. Mr March explains that he can now finally forgive Countess for turning him into the police. In an unexpected plot twist it is revealed that it was actually Miss Evers who turned him in all those years ago. She wanted them to commit suicide together so that he could see just how much she loved him. She points out that Countess resented each minute she spent with him, while she was spellbound by his every word. She tearfully asks him if he can see how much she loves him now and if he returns that love. Mr March is, understandably, pissed. He banishes her from his presence. You can literally feel Miss Evers heart shatter as she removes her apron. She has an almost resigned freeness to her as she leaves the room. I doubt this is the last we've seen of her even if part of her is happy to be free.

Mr March sits down to continue their dinner. He is ecstatic that he can now have dinner with the woman he loves every night for the rest of eternity. Countess, however, is less than enthused.


Countess basically views this as her own version of hell and is not happy. I wonder if she'll try to escape this fate somehow in the finale. It is a rather fitting ending for her, though. A woman who ruined so many lives doesn't really deserve a happy ending and this is a fate worse than death for her.

The cast has thinned out quite a bit with the deaths of a few major characters. Where is John? Hopefully they answer that next week. Will Miss Evers go quietly or will she be back? I hope she is! Will we find out why we haven't seen ghost Tristan? I hope so! 

At this rate it seems that the only people who might get a 'happy' ending is John, Alex and their family which is not something I ever thought would be the case.

See you next week for Be Our Guest, the finale for this season and these recaps. Until then... enjoy your stay. 

Wednesday, January 6, 2016

Waiting On Wednesday ...... Traitor Angels


Waiting On Wednesday is a weekly event, hosted by Jill at Breaking The Spine that spotlights upcoming releases that we're eagerly anticipating.

My pick this week is Traitor Angels by Anne Blankman


Here is the Goodreads synopsis
Six years have passed since England’s King Charles II returned from exile to reclaim the throne, ushering in a new era of stability for his subjects. 

Except for Elizabeth Milton. The daughter of notorious poet John Milton, Elizabeth has never known her place in this shifting world—except by her father’s side. By day she helps transcribe his latest masterpiece, the epic poem Paradise Lost, and by night she learns languages and sword fighting. Although she does not dare object, she suspects that he’s training her for a mission whose purpose she cannot fathom. 

Until one night the reason becomes clear: the king’s man arrive at her family’s country home to arrest her father. Determined to save him, Elizabeth follows his one cryptic clue and journeys to Oxford, accompanied by her father’s mysterious young houseguest, Antonio Vivani, a darkly handsome Italian scientist who surprises her at every turn. Funny, brilliant, and passionate, Antonio seems just as determined to protect her father as she is—but can she trust him with her heart? 

When the two discover that Milton has planted an explosive secret in the half-finished Paradise Lost—a secret the king and his aristocratic supporters are desperate to conceal—Elizabeth is faced with a devastating choice: cling to the shelter of her old life or risk cracking the code, unleashing a secret that could save her father…and tear apart the very fabric of society.
This entire synopsis has me so excited. Anne has a real talent with historical settings and I have a feeling this is going to be an impressive and addicting read. The romance, mystery, and setting are sure to leave a lasting impression if Anne's previous books are anything to go by.

There is a bit of a wait for this one, as it doesn't release until May, but I am confident it'll be worth the wait.

Expected release date - May 3, 2016

Tuesday, January 5, 2016

This Is Where It Ends by Marieke Nijkamp



This Is Where It Ends by Marieke Nijkamp
Release Date - January 5, 2016
Publisher Website - Sourcebooks Fire
Publisher Social Media - Twitter
Pages - 292 pages
My Rating - 3/5
**received for honest review from the publisher**

Here is the Goodreads synopsis
10:00 a.m.
The principal of Opportunity, Alabama's high school finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve.

10:02 a.m.
The students get up to leave the auditorium for their next class.

10:03
The auditorium doors won't open.

10:05
Someone starts shooting.

Told over the span of 54 harrowing minutes from four different perspectives, terror reigns as one student's calculated revenge turns into the ultimate game of survival.
Time is a powerful thing. A minute can last for what feels like an hour, and yet an hour can fly by so quickly it feels like minute. We've all felt every excruciating minute while doing a task we do not enjoy, and yet more pleasurable activities allow the time to slip by in the blink of an eye. This Is Where It Ends plays with time. It's a scenario where everything feels like it happening too quickly, and yet at the same time everything feels like it isn't happening fast enough. It makes you all too achingly aware of what can happen in a moment and how quickly everything can change forever.

This novel's strength is the pulse pounding, tension inducing pacing. The ticking clock is always present, and always lurking. It becomes another character and you feel every minute along with the characters. This aspect is pitch perfect and the pacing is what makes this novel the intense read that is. While it was successful in creating the tone and atmosphere, it created a barrier to the other aspects of the story that I feel did a disservice to this story. While it focused on multiple perspectives both inside and outside of the room, and gave an all encompassing look at living through something like this, it never allowed us to immerse into one of the perspectives. The limited time with each lead to feeling a disconnection to any of them.

There is a distance, at least for me, and remoteness from the characters. This is a plot first type of story, and one that relies on that as it's hook. It takes the setting and makes it the story and I feel it does this at the cost of characterization. The characters never seem fully realized, and the emotional element of the story just never resonated with me. There is, of course, a few moments that leave a lasting impression. Those first few gunshots, in particular, resonate with the reader. This is an instance where the reader feels connected to the story because you feel that initial rush of emotions along with the characters. I am sure others will emotionally connect to it more than I did, but I did not feel the characters were developed to their full potential.

This is a tricky subject matter, and one that causes much debate. Marieke Nijkamp stays away from giving the shooter a voice. She instead focuses on small acts of heroism, kindness, and leaves an over all message of hope in the end. This isn't a story of what drives someone to do this. This is a harrowing look at the excruciating truth of each of the minutes inside something like this, and the reality of living through them. It's also the story of how you begin to piece yourself together even as you're still living what is tearing you apart.

While the characters never connected with me, and the story favoured the plot instead of character emotion, it's still a story filled with impact. It's attention grabbing, and engrossing so it ends up being a rather quick read. It's a harrowing page turner that, sadly, didn't leave the lasting impact on me that it wished it did.

Monday, January 4, 2016

Truthwitch by Susan Dennard



Truthwitch by Susan Dennard
Release Date - January 5, 2016
Publisher Website - Tor Teen
Publisher Social Media - Twitter
Pages - 416 pages
My Rating - 4/5
**received for honest review from the publisher**

Here is the Goodreads synopsis
On a continent ruled by three empires, some are born with a “witchery”, a magical skill that sets them apart from others.

In the Witchlands, there are almost as many types of magic as there are ways to get in trouble—as two desperate young women know all too well.

Safiya is a Truthwitch, able to discern truth from lie. It’s a powerful magic that many would kill to have on their side, especially amongst the nobility to which Safi was born. So Safi must keep her gift hidden, lest she be used as a pawn in the struggle between empires.

Iseult, a Threadwitch, can see the invisible ties that bind and entangle the lives around her—but she cannot see the bonds that touch her own heart. Her unlikely friendship with Safi has taken her from life as an outcast into one of reckless adventure, where she is a cool, wary balance to Safi’s hotheaded impulsiveness.

Safi and Iseult just want to be free to live their own lives, but war is coming to the Witchlands. With the help of the cunning Prince Merik (a Windwitch and ship’s captain) and the hindrance of a Bloodwitch bent on revenge, the friends must fight emperors, princes, and mercenaries alike, who will stop at nothing to get their hands on a Truthwitch. 
Truthwitch is a story filled with magic, mythical creatures, mysterious prophesies and wonder. It also happens to host two interesting female characters whose friendship is the heartbeat of this story and whose potential is only beginning to be untapped.

This novel feels like a piece of a larger puzzle. It's laying the foundation for what is to come. It reads and feels like a building block that will eventually be a larger part of a whole. It's methodically woven so that you're pulled into the story and the mysteries to be unravelled. This novel is meant to entice, and Susan Dennard certainly entices you to return to this world, and these characters.

Susan Dennard's talent is crafting a world for her characters to inhabit. This world comes to life under her bright, vivid descriptions. Fantasy demands a stunning backdrop and that's effortlessly created here. This novel also boasts an intriguing mythology to compliment it's setting. While the mythology is only beginning to be explored in this instalment the potential is there for a rich, deep mythology based fantasy series. The set up piques your interest and offers a enough of a tease to ensure you'll want to come back for more.

The main focus is the friendship and bond between Safi and Iseult. Threadsisters who would do anything to protect each other, and make any sacrifice for the other. Their friendship is allowed to shine brightly, and Susan smartly keeps the romance in the background while still allowing it to simmer just under the surface. This is sexual tension at it's most delicious and it's made all the more so because it's only given in pieces. It's a tantalizing tease of what could be and that makes it entirely addictive. This is a story of loyalty and the bond that exists between friends first and foremost and that is what allows this fantasy series to stand out from the rest.

While the setting is fantastically developed and the plot shows a lot of promise, it's the characters I hope benefit from development in the sequels. In particular the characters outside of Safi and Iseult could be fleshed out more. The stage is set, we've been introduced to the players, and are intrigued by them, it's time to let us know them. I didn't feel a strong connection to them while reading, but the other elements are so strong it's easy to look past it. This lack of connection was the only (slight) misstep in this novel for me, and it's one that is left with the most possibilities. The characters have a spark to them, one I hope is ignited in the the sequels.

A promising start to what has the potential to be a stunning fantasy series. Those who like the focus on friendships, and the loyalty they can hold will relish the connection between the main characters. Those looking for rich world building will find that here, and those looking for romance will be pleased as well. In other words, it's has a little something for everyone. I, personally, cannot wait to see where Susan Dennard takes these characters next.

Saturday, January 2, 2016

Weekly Obsessions


The awesome Kelly at KellyVision started posting a weekly post highlighting whatever she happened to be obsessed with that week. I LOVE this idea, so much in fact that I will be doing it myself every Saturday.

A small Weekly Obsessions post this week due to the holiday season!

TV/MOVIE

Tris and Four Allegiant Posters

I could not stop starring at these when they were released. There is something really eye catching and arresting about these posters.


They scream Tris and Four to me, and I love that the marketing department went this route. I am excited to see what else they might release.

OTHER

2016

I am so excited for the new year. It's a fresh start and I cannot wait to see what awaits for me in 2016! I hope it's filled with amazing books, amazing memories, and some new experiences. I have made a promise to myself that this would be the year I say yes more and push myself out my comfort zone so I am excited to see where that takes me.

What are you obsessed with this week?

Friday, January 1, 2016

Happy New Year


I hope everyone had a safe and fun start to 2016 and that the rest of the year is filled with family, friends and amazing books! I cannot wait for all the great books coming our way!


Thanks for following my blog this past year. I look forward to all that 2016 will bring to the bookish community and I look forward to sharing it with all of you!


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